Pictography Topics – Access Genealogy

Rock Writing or Muzzinabikon

This post details the evolution and significance of picture-writing among Native American tribes, from simple totem inscriptions to more complex forms found in rock writing, or muzzinabikon. It explores the terms kekewin, for general picture-writing, and kekenowin, specifically for instructional symbols. The text highlights the artistry and mystery surrounding rock inscriptions, particularly those created by the chief Myeengun, reflecting his achievements and reliance on spiritual symbols during a notable expedition across Lake Superior.

Walam Olum, Tribal Chronicle

The Walam Olum is the sacred chronicle of the Lenape tribe, meaning “painted tally.” First published in 1836 by Constantine Samuel Rafinesque, it purports to be a translation of an ancient Delaware manuscript recorded in pictographs. Despite early skepticism, scholar Daniel Brinton later validated its authenticity as a modern adaptation of traditional narratives. His comprehensive work in 1885 included the pictography, text, and analysis, asserting that the chronicle merits further study as a valuable reflection of Lenape heritage.

Pictographs – Sign Language

The post discusses various pictographs and gestures used by Native American tribes to represent natural phenomena and communication. The sign for ‘cloud’ involves hands mimicking the shape of clouds, while the Ojibwa pictograph combines signs for ‘sky’ and ‘cloud.’ Different representations for ‘rain’ and ‘lightning’ are illustrated, showcasing the creativity in Native American symbolism. Additionally, the post describes signs for speech and conversation, emphasizing the cultural significance of gestures in communication among tribes. These pictographs illustrate a rich visual language intertwined with nature and social interaction.

Symbols of Hunting in Pictography

Pictorial record of a chiefs success in hunting and war - Plate 54

Keossawin, or Hunting Pictography, encompasses signs vital for hunting, blending simple representations with symbolic meanings. For non-agricultural Native peoples, hunting is paramount, with early lessons in bow and arrow yielding magic and ritual significance. Young hunters are celebrated for initial successes, fostering pride and skill. Symbols—like arrows and magical motifs—connect hunters to spiritual forces and express beliefs in magical influences on animal behavior. The pictographs illustrate rich traditions of hunting, revealing the integration of art, magic, and cultural identity across tribes.

Indian Pictographs

Atotarho, the First Iroquois Ruler - Plate 70

Indian pictographs, found on bark, wood, and rocks, represent a unique visual language utilized by Native American tribes. These rudimentary symbols served as a means of communication and storytelling, akin to picture writing or petroglyphs. The system is largely mnemonic, requiring familiarity with tribal customs and mythology for interpretation. Evidence suggests these pictographs played vital roles in documenting significant events, rituals, and tribal affiliations. They reflect the intellectual capabilities and spiritual beliefs of Indigenous peoples, offering insights into their worldview and cultural continuity.